Cruising into a new space with views of the Sound and reclaimed wood! We couldn’t think of a better fit for a major cruise line’s new headquarters than our Reclaimed Smooth Teak flooring.
Designed by SkB Architects, the new corporate office will allow the Holland America Group to consolidate their 900+ employees in a modernized work environment. Located on Pudget Sound in Seattle, the headquarters interior pays homage to traditional boat decking with Reclaimed Teak, a classic boat-building material, throughout the offices and common areas.
The layout for ‘work’ levels has cubicles flowing around the perimeter of each floor with offices, conference rooms, and flex space occupying the center. On the second level, an emergency response center, training & conference rooms, and eatery are all shod with Reclaimed Teak. The Teak also flows from floor to stairs and benches in several areas.
Over 14,000 square feet of the salvaged Teak, with an all natural oil/wax finish, found new life throughout all six levels of Holland America’s new building. The wood unifies each level, offering incredible durability and warm tones to the various work areas.
Our Teak is reclaimed from retired structures — office buildings, homes, boats, and factories in Indonesia. Teak maintains the authentic beauty of 18th and 19th-century planks. With an extremely hardwearing surface, it’s the ultimate specification for lasting value. It is milled from certified FSC® Recycled 100% Teak to exacting industry standards for nail down installation and finishing.
One percent of all of our Reclaimed Teak sales are donated to conservation causes in Indonesia and Malaysia. Currently, we’re supporting the Borneo Project in their fight to end the loss of habitat for the indigenous peoples of Indonesia.
Various finishes and surfaces, fit for every design style, are available on our Surface Selector.
It’s Sunday. My thighs and calves are hurting today. Seriously sore. As a general condition, the muscles I typically exercise are two fingers on each hand for keyboarding, my butt, for sitting too much, and the little one between my ears. Yesterday I joined a dozen co-workers and family (yes, my 15 year old was there running a nailer) to install a floor we donated to the Two Blocks North project. This is definitely not work I do each day, in spite of owning a flooring company. The ups and downs, the kneeling, the bending over. I’m not in great shape, clearly.
Two Blocks North an ad hoc project put together by a few folks to help out a guy who was hit by a car while riding his bike to work. The driver was an 84 year old man who ran a light. He stayed to help at the scene.
The rider is a father and husband, and outdoorsy and well-liked in all the ways Portlanders are. He’s now confined to a wheel chair. The two story four square in North Portland couldn’t work for them anymore. The website tells it better, but the short of it is they were able to buy a one story nearby, and needed to upgrade and make it accessible.
Corey Omey, a friend of his and a principle at EMA Architecture & Urban Planning rallied people and the makeover got going fast. Corey called me about needing some beams. Sure, and how’s the flooring there? Well, the living room and hall are Pergo (retch) but there’s no money in the budget to replace. Okay, we can come up with something, and I might know some folks who would install it.
So sure enough, we found a batch of 500 square feet of our Tradewinds, and barely a word was needed for co-workers to jump in to help. In fact, ever try to install a floor with almost too many people? There was a fair share of jumping over each other, team choreography, and tangled hoses. But one seriously focused install happened nonetheless, from 8 in the morning to about 4:30, with barely a stop for donuts brought by sweet Ashley. At about 3 I started to get dizzy and realized I was way too dry in the throat. We all were. Kate looks up and says, “Hey I’m from California and I always have water in my trunk.” I don’t really know what she meant, but it was delicious water, and now I’m going to carry water too.
Tradewinds seemed like the perfect floor. We make it from crating and shipping material that comes into U.S. ports, inbound from China, typically. It’s a totally haphazard mix of Indonesian woods. I see meranti, teak, and a bunch that I’ll never know. It’s really not one of our best sellers, I think because its lively mottling and mixing is a powerful look. I love it, though, and Jennifer, our GM, even put it throughout her own home. It would be a good choice here due to its toughness and its visual interest, perhaps.
Near the end of the day the new owners happened by. We were experiencing a rare rain-less day, so they had come over to check out progress, and continue to get a feel for their new home, and yard. I was describing the source of the wood to Hanne and Brian, and I mentioned its not for everyone, I suppose feeling a bit self conscious. “But it is for us,” said Hanne.
Yup, my legs are sore. Magnificently, screamingly, wonderfully sore.
“How would you describe Pioneer Millworks and the beauty of our products to a blind person?” Our Japanese partners asked us this very question. After posing it to members of our team we asked them to reply anonymously. We are continually impressed with the thoughtfulness and creativity of our team and wanted to share with you:
(The images in this post are from our Twitter “Texture Tuesday” collection. We’re inspired by the character, colors, and macro views of wood we find in our mill, yard, and offices. We hope you enjoy them as well!)
“The wild of nature, brought in from the outdoors. Each piece has its own story to tell, its own scars and wrinkles from a long life before us. As a whole, it’s a complex mix of swirls and patterns, tones and textures that are as intoxicating to your senses as a bite of cold vanilla ice-cream and warm caramel syrup.”
“What a tough and interesting question. It would change the answer if the blind person had had sight and lost it, versus having always been blind. If they’d had sight, we could assume they’d understand and remember things such as colors, or wood grain, or the width and lengths of wood and how they connect. I went with the assumption that they’d never had sight:
Pioneer Millworks has reclaimed over 26 million board feet of wood across the country from industrial and agricultural structures that are no longer in use and have often fallen into disrepair. The wood we reclaim is destined for landfills, burners, or to simply rot away. Part of the beauty of using Pioneer Millworks’ products is knowing you’re helping recycle and reuse; you have a hand in keeping our planet healthy.
There is beauty in the story each plank, joist, or timber holds. Some could tell of thousands of footfalls from young men earning a living building tractors, others could tell of women striding and sitting while operating embroidery machinery, others know the skill of artisans creating ornate tiles with heavy clay and bright glazes, while still others could speak to years of abundant harvest, of severe drought, of blistering summers, freezing winters, soft spring rains, and the gentle sounds of livestock settling as nights slid over the farm more than a hundred years ago. In our Oregon and New York mills each plank is studied and honored by our craftsmen as they trim, plane, mould, sand, and fulfill orders.
Character is beauty. The character of our antique wood hints to the stories of its past, of man and nature: tight grain patterns, deep patinas, original saw marks, ferrous staining with occasional nail holes, weathered surfaces, remnants of paint. Random length boards abut one another creating a harmonious mosaic on walls and floors. Beneath the bare foot a reclaimed wood floor is solid, cool, and smooth with a soft luster from our preferred natural oil/wax finish. To touch the surface offers interest of varying textures. From subtle grain ridges, flat knots, and softly curving marks where an old saw blade struck the log into planks, to deeply grooved, weather worn fascias.”
“Our reclaimed wood emboldens projects effortlessly complementing every style.”
“I would say our wood is warmer than most since it holds the souls of previous owners.”
“Pioneer Millworks is a is a company of designers and craftspeople who work every day to provide wood flooring, paneling, timbers, and millwork, using wood salvaged from barns, warehouses, factories, shipping containers and more. The products we craft from these 20 or more species of reclaimed wood are a mosaic of color and texture and exude the warmth and natural beauty that only hundreds of years of age can provide.”
“Rough swirls of hard natural fibers in linear planks in a rage of gold to brown.”
“I would talk about the texture, the combination of smooth and rough in our patina and skip planed floors. I would talk about how the scars of it’s previous life, those nail holes and insect marks, each little pin hole that interrupts the smooth surface of American Gothic, tell a story of a life of purpose and function.
I would talk about it’s durability under foot, the solid feel of the dense grain antique wood, the sturdy sound of it as you walk across the floor. I’d describe the smell- rich wood and sawdust, the warm smell of a natural oil finish. The silk-soft surface of a well burnished surface underfoot or in hand.”
Pioneer Millworks is the vehicle by which our reclaimed wood comes to a second, or third, chapter in their story…telling the tales of where it has been, and its original intended use. The texture of the saw marks, the bolt holes, and the mortise pockets are all physical examples and evidence of the story it wants to tell. You can feel the history with your hands, poke your fingers in the holes and know it has a past.
“Reclaimed wood is as wonderful to ponder and touch as it is on display. Sure, designers look to the relationship of hues to the room, but unlike paint or fabric or other surfaces, reclaimed wood is more than ‘tommy grey’ or ‘burnt brown.’ Imagine if you will, you have no vision or that color doesn’t matter. Reclaimed wood then becomes an adventure for the other senses. For your nose, a smell from another century, sometimes musty sometimes piney, and always earthy. (Sometimes when even our best wood experts can’t identify a species, we take out our knives to score through the patina and breathe in the newly exposed cells.) For touch, a myriad of adventures in texture lay before you — you can travel up weathered ridges of alternating sapwood and heartwood, or follow small trails where tepid explorers once burrowed their way through the fibers, or pause at round and oblong pits where nails or bolts secured timber to timber. And if your fingers don’t find these signs of previous life, perhaps your hand will pass along perfectly parallel lines curving gracefully across the plank’s face, a rough memorial to a different era when craft was slow. Lastly, there’s the sense of heart and soul that is reclaimed wood. No two planks are the same (thank goodness!), some pieces endured decades, some centuries, of weather and wear, ready to start a new adventure. And in doing so, perhaps saving a new tree from mass consumption. While Stormy Grey may drive the choice, the real color is in the story.”
Sleek farmhouse. Not commonly paired together, but that is the result of The Barrow House restaurant and parlor in Clifton, New Jersey. Assorted rooms are strung together with eclectic decor sure to feed the hipster in all of us.
When we first started talking with Dean and Thomas about their vision for their restaurant, we were excited to learn how much they appreciated the history of the barn/restaurant space they were re-working. It was first started as a steakhouse building that housed other restaurants over the years with countless additions and alterations made for each one along the way.
Dean and Thomas wanted to maintain the rambling concept and celebrate the imperfections that might come along with such a storied past including roughly textured wood, chipping plaster, varied colors, original artifacts, and different flooring throughout the space. Parlor, bar, farm food – what could be better? Now that they’re open, let’s peek inside some of its remarkable spaces.
Cocktails on tap, a solid selection of beer, and cider…it was hard to move past the bar. But we’d be doing a disservice to this blog if we didn’t mention the wood: Decades of water over pouring over the surface of our River Skins (cladding the bar front) give it a driftwood texture, raising the knots and grain reminding us of drift wood.
Overall Pioneer Millworks provided 12 different reclaimed wood materials which were used throughout the restaurant on a variety of surfaces. In the bar area you’re greeted with a variety of libations including cocktails on tap and cider. The space has Foundry Maple flooring while the ceiling is clad with an original-whitewashed V-groove siding. When the Dean mentioned wanting the bar front to look like an old boat haul, we immediately suggested River Skins. These skins were cut from the outsides of Douglas Fir timbers that were once used for rafts to float hardwood logs downstream to sawmills in southern Canada. What we love most are the details that pepper the space like vintage hooks added to the bar front, a convenient place to hang your hat (or purses, of course).
Across from the bar, the outside is…inside – a whimsical result of the building’s add-on history. There’s something to discover in each pocket that makes up The Barrow House, which is part of the fun.
Much of the dining area has Settlers’ Plank Oak flooring in random wide widths, a favorite choice for a restaurant. The inevitable wear and tear blends easily into the original character (think: saw marks, nail holes, insect trails, ferrous staining) common to this grade.
Another gem. An old-school built-in corner cabinet updated with lighting and three dimensional ‘art work’.
Throughout the restaurant are different grades of American Prairie (our version for that popular barn siding look). Boards salvaged from agricultural wood that were once heavily painted but have been worn and chipped away at by time. The Barrow House highlights paneling with paint ranging from nearly opaque to light remnants in yellow, red, and white. Weathered brown boards, having developed their deep chocolate color through a century of high temperatures inside agricultural structures, adorn vertical surfaces in several different spaces within the restaurant. All those chocolatey tones wet the appetite for dessert.
Wandering a bit further, you’ll discover the wine room. Stone walls frame the back-lit wine cabinets (which hold a very nice list of vino) surrounding a large farm-syle table. Overhead Mushroom Boards clad the ceiling, offering higher texture and deep color that plays off of Settler’s Plank Oak floor.
Inside the timber frame you’ll see more American Prairie and a one-of-a-kind thresher floor milled from stock reclaimed from barn structures as well. We were happy to see this floor, it isn’t one you’ll find on our website, but it is a good example of project collaboration. We love when conversations lead to use of an uncommon material where its character can be celebrated. Our favorite part though, is the roof of the barn timber frame. It retracts half-way, letting diners literally sit under the stars!
We really enjoyed working with Dean and Thomas to find the perfect materials for all the various needs of their project. We can’t say enough about the unique experience they’ve created with The Barrow House or the fun Jered and Jennifer recently had exploring. Our suggestion is that when you visit you plan to time to wander.
Unique, rare, atypical – hey, that’s what makes our jobs fun and your projects outstanding. Thanks Dean and Thomas!